An exercise in prolificacy

As originally posted on Horse Crossings (4 May 2015).

First 4 covers 200dpi

I’ve got a new toy, and I can’t stop playing with it. Over the long Easter weekend, I decided to see how quickly I could write an entire (albeit short) novel. I had a rough story outline and no other commitments, so I gave myself four days, sat down at my laptop, and started to write. To keep myself honest, I first declared my intentions on Facebook. I put each chapter up on Wattpad as I wrote it, so that people could check in and follow the story in real-time. It was a challenge, and it was fun. And even better, people really liked the story.

The characters were a mix of old and new – some who’d shown up in my previous books, some who’d never been heard of before – but they all leapt off the page, and the writing just flowed. I don’t want to say effortlessly, because let’s face it, writing is never effortless. But I didn’t get bogged down or stuck in the story, I just wrote and wrote and wrote. Posted another chapter, and wrote on. And so on, until suddenly on Sunday afternoon, I was done. And with a whole day to spare!

What else to do, then, but start the sequel? Or even better…make it into a series! After all, if I can write one short novel in a weekend, I should be able to get one book done each month, right? Well, life’s nothing without challenges, so I put my thinking cap on, came up with a concept that I loved, and the Pony Jumpers series was born.

PJ 1 out now Kindle

The first book, First Fence, is told from the perspective of a character named AJ, who is struggling with her pony until she befriends Katy, another young rider who has a wealth of experience. Katy and her mother Deb give AJ the help she needs to get her pony on track for a successful competition career, something AJ, who comes from a completely unhorsy family, has only ever dreamed of before.

PJ 2 DC release

The sequel Double Clear is then told from Katy’s perspective – and while she turned out to have a strong voice and plenty of storyline, she also turned out to be a far more complex character than I’d ever anticipated. It was almost as though once I got inside her head and she started to trust me to tell her story, she realised she didn’t have to put a brave face on all the time, and everything that was bothering her just came pouring out. Katy has a lot of issues to work through, and at times the book was heart-wrenching to write. But there are so many threads to her storyline – outside of the pony-centric A-plot there are at least five other sideline plots to follow through with in the upcoming novels. I’m excited to see how she progresses over the course of the series.

So, the series. I can’t say for sure how many books I’m going to write, but I have the basic plots and timeline sketched out to get myself as far as (brace yourself) twenty novels. Ambitious, for sure, and whether I ever find the time to write them all, I can’t say. But I have committed myself to the first eight by the end of the year.

Why eight? Well, after Katy’s story is told in book #2, I’m switching it up again to a different protagonist for book #3, Triple Bar. Not that she’s entirely new – Susannah has been showing up in my books for years, and has appeared already in the first two books in this series. If Katy is a complex character, Susannah is a veritable kaleidoscope. There is a lot going on behind closed doors in her life, and I’m looking forward to exploring her side of the story, since we’ve only seen her through other people’s eyes up to now.

PJ 3 TB release
NB: This book is not actually released yet – it is due out in late May.

And then there’s book #4, Four Faults, which will shift perspective yet again to get a fourth character’s perspective. This character has turned up already in the first two books, and will have been introduced sufficiently by this stage however that hopefully the reader will be intrigued to find out what’s really happening in her life as well, before book #5 shifts back to AJ, and the cycle begins again. (If I only write the first eight, then I’ve at least written each character twice, see? But I would really love to manage all 20 books – that’s only five each, after all…)

PJ 4 FF cover2If this sounds incredibly complicated, it gets worse. Not only will each of these books tie into each other, but as mentioned, Susannah has turned up in my books before. As has Katy, for that matter. So they have fixed backstories, and part of my challenge is to keep track of their history as well as planning out their future. (I already almost tripped myself up badly until I went back to check my references to Katy in Dream On and discovered what was at the time a throwaway line that completely contradicted some of what I’d written in Double Clear, so I had to go back and fix that one.) I have a complex spreadsheet that keeps it all straight and explains the timeline, which I have simplified into a graphic on my website, since I’ve failed at writing the stories chronologically as I originally intended and I was getting readers confused. (Hey, it all makes sense in my head!)

So it’s complicated, but it’s also fun. For years, I wanted to write for television (I would still love to, in fact). I love the episodic nature of television drama, so this series of books is like my version of a TV show. Some episodes might be stronger than others, some will necessarily be more dramatic, there will be cliffhangers and there will be little, subtle moments. (And lots of dialogue, because I always write a ton of dialogue. Perhaps that’s the TV writer in me trying to get out!)

I also – and this sounds completely nerdy but it’s true – love episode titles. Some of my favourite TV dramas have great episode titles, whether they’re a play on words or a quote from Shakespeare, or just really gorgeously poetic. And you’ve probably noticed the theme that I’ve already started with my new series of numbering the books within their titles. (Four Faults will be followed by Five Stride Line, then Six to Ride…and so on. I had so much fun coming up with them, and yes they go all the way up to 20.) I designed and created the covers myself, using Adobe InDesign. The cover photo of First Fence is an iStock photo and Four Faults‘ cover image comes from Shutterstock, but the cover images for Double Clear and Triple Bar were taken by a friend of mine for a school assignment several years ago and she has generously allowed me to use them. (I also used my borderline Photoshop skills to swap out the background on Triple Bar which was originally shot on carpet, not wood. Hopefully you can’t tell!) I have placeholder images for the rest, mostly from Shutterstock, which will be purchased as required. And the colour theme of purple for AJ’s books, yellow for Katy’s, pink for Susannah’s and green for Tessa’s will continue throughout the series.

And so this is my ultimate challenge: to write 20 books of fewer than 40,000 words, that all fit into a fixed timeline and don’t contradict each other, told alternatively from the perspective of four very different characters leading four very different lives, bound together by their passion for show jumping. And each novel also has to have a strong A-plot that carries the reader’s momentum forward throughout, combined with several interesting B-plots, like whether AJ can find a way to get along with her autistic sister, whether Katy can forgive her father for abandoning her, or whether Susannah can find a way to integrate her brother back into her life after her parents disowned him. Oh yeah, and to also integrate each character as seamlessly as possible into each book, whether or not it’s their turn to be the protagonist…

Not for the faint of heart, then, but I’m loving it so far. And I have had so many comments from readers saying that they love the way that the books tie into each other, which is really encouraging. But it means that I have to have these characters straight in my head, starting with their disparate writing styles – details that range from the language and euphemisms they use, to their level of introspection, to precisely how they tend to structure their sentences. Not to mention the names of their family members, their pets, their nicknames, what subjects at school they’re good at and what they struggle with, their favourite foods, whether they’re a heavy sleeper, what kind of music they like, their hair and eye colour…and of course, every little detail about their ponies…

It’s a good thing I thrive on a challenge! And so far, it seems to be working. As a friend told me this morning:

“I feel like these kids actually exist and I’ll get to meet them all someday…like I’m just reading an account of their lives. An excerpt from each of their diaries or something. It’s heartbreaking to realise they’re all fictional.”

I took that as a huge compliment. When people believe in my characters that hard, I must be doing something right.

But for now, I have a third book to finish…

First Fence and Double Clear are now available for purchase on Amazon at US$2.99 each. The first chapter of Triple Bar is also included at the end of Double Clear to give readers a taste of what’s to come!


More Pony Jumpers coming soon

3 Triple Bar - DIGITAL (E1) I’m trucking along with the next book in the Pony Jumpers series, TRIPLE BAR, and it’s proving to be a fascinating book to write. I’ve always had a soft spot for the misunderstood characters in stories, and this book is a further step along the redemption arc that I’ve been playing out for the protagonist, Susannah Andrews, since her debut in Dare to Dream. In that book, she was far from the most likeable character. In fact, she was pretty much an out-and-out villain. I hit every cliche under the sun for her – spoiled, wealthy, vile, a hard, unsportsmanlike rider. Everything you would expect from a stereotypical pony book villain, and the absolute opposite of Marley, our heroine in that story.

Susannah’s introduction arrived early – in Chapter 1 of Dare to Dream as the Carmichael family sat around their kitchen table and discussed the upcoming show season:

“Did you hear that the Andrews family have bought Buckingham?”

Marley rolled her eyes. “So that precious darling Susannah can win Pony of the Year,” she grumbled. “As if she deserves to even come close.”

“She might now though,” Van said. “That pony’s a machine. Never seen it put a foot wrong in its life.”

“Poor pony,” Marley sighed. “Imagine belonging to that family.”

“Competitive?” Mike asked, not knowing them.

“Beyond the realm,” Kris said. “I wouldn’t want to be one of their ponies.”

“Or one of their kids,” Van agreed. “I like to win as much as anyone else, but I couldn’t stand it if I got yelled at every time I failed to meet up to someone else’s expectations.”

And when Susannah herself stepped into the story, she was utterly vile:

Marley looked up to see Susannah Andrews approaching them, and stifled a groan. At barely thirteen years old, Susannah was younger than most of the other Pony Grand Prix riders, but her parents had spared no expense buying her the best ponies on the circuit. Their belief that their daughter was the best thing since sliced bread had built up Susannah’s dangerously high self-esteem. Good sportsmanship was not part of the family’s vocabulary, as far as Marley could tell, and she pitied the girl’s ponies, who shouldered all of the blame for any mistakes that Susannah made.

She stopped near Marley to talk to a friend, her voice pitched to carry, and Marley’s couldn’t help overhearing Susannah mentioning her name.

“I couldn’t believe it when I heard,” Susannah was saying. “I mean, who puts a pony into a paddock with a barbed wire fence? That’s just stupid.”

Marley got to her feet and stepped up behind Susannah. “Say that to my face.”

Susannah turned around and met Marley’s eyes, her face impassive. “I said, I can’t believe anyone would be stupid enough to put their pony behind barbed wire, then to expect sympathy when he mangles himself getting caught up in it.”

So there we have a character that absolutely nobody is going to be rooting for. But there is a common denominator going on in both of these scenes, both placed there very deliberately.

“I couldn’t stand it if I got yelled at every time I failed to meet up to someone else’s expectations.”

Their belief that their daughter was the best thing since sliced bread had built up Susannah’s dangerously high self-esteem.

So much of who Susannah is comes from exactly that – her parents. Not that they’re necessarily atrocious people. They, too, are a lot more complex than they first appeared. Because Dare to Dream was told from Marley’s perspective. Not from Susannah’s. We didn’t see the inner workings of their family, although we got hints of it from time to time, including when we first met Susannah’s older brother Pete.

He’d always been much more personable and good-natured than the rest of his family. Always very protective of his sister though, Marley recalled, and his next words backed that up. “She’s got things tough, you know. Try cutting her a bit of slack.”

Even as he continued to be the friendlier of the siblings, the issues around his family and the immense pressure they were both under quickly became clear.

“Civil engineering,” Pete said. “Dad wanted me to get a Law degree, but I flunked out. Huge waste of money and a massive disappointment, that’s me,” he added, trying to sound casual but unable to mask the bitterness in his voice.

“In my family it’s win or nothing, and a round like you just jumped would bring the wrath of my father down on Ajax’s head.”

I won’t say any more, in case you haven’t read Dare to Dream yet. (You really should. You’ll get a lot more out of Triple Bar if you have the prior knowledge.)

Although Susannah was somewhat redeemed in the end of Dare to Dream, when she returned in Dream On nobody was pleased to see her, and they made their feelings quite clear.

The show grounds were buzzing with the news of her presence, and when Susannah knocked three rails in her first class, at least five separate people came by to tell Marley that Susannah had ridden terribly, that she’d been booed when she went into the ring, and that everyone had applauded when she’d ridden out with twelve faults.


“Hey, did you hear that Susannah Andrews fell off in the metre-ten this morning? We gave her a standing ovation.”

But I no longer thought of Susannah as a villain. In Dare to Dream, she was a spoiled child, thoughtlessly repeating her family’s mantra and doing her best to live up to their expectations. Like many young teens, she still looked to her family for guidance in life, and she still believed that her parents knew best. But by the time she returned in Dream On, she was a different person. And Marley is the only person who seems to be big enough to put the past behind her. One of my favourite scenes involving Susannah is this one:

The girls looked at one another for a moment, then Marley spoke. “Well done today.”

Susannah nodded. “Thanks. Same to you.”

Marley couldn’t tell if she was sincere, but Susannah had never been very subtle before, so she decided the other girl probably meant it.

Susannah tied Buck to the railing and reached for the hose. “That mare of yours can really jump.”

She’s not mine. “Yeah, she sure can,” Marley agreed. “I just wish she wanted to.”

Susannah looked at Maggie for a long moment. “I don’t suppose she has a choice.”

She turned her back to Marley, running the cold hose over Buck’s legs, and Marley clicked her tongue to Maggie and led her away.

Susannah’s family was now fractured, and tension was building amongst them. No matter how hard she tried, no matter how much her riding had improved, nobody was willing to cut her any slack. Nobody cheered when she won, and almost nobody believed that she’d truly changed.

And that’s a sentiment that carried over into First Fence and Double Clear, as evidenced by Katy’s reaction to Susannah in both of those books, particularly when Susannah looks like taking her pony away from her in Double Clear:

Mum looked unconvinced. “She’s riding a lot better these days.”

“In public,” I agreed. “She has to. She could hardly come back out and ride the way she used to after everything that happened. But what about behind closed doors? What’s going on there?”

You’re about to find out.

Pony Jumpers series

New release: DOUBLE CLEAR

2 Double Clear - DIGITAL (E1)My new year’s resolution to become a more prolific writer is hitting high gear with my THIRD release so far for 2015!

Check out the second book in the new Pony Jumpers series, told from Katy’s perspective this time:

Katy O’Reilly has grown up on horseback, training promising young ponies under her mother’s guidance. Although unable to afford top level show jumpers, she has been fortunate enough to lease two exceptional Grand Prix ponies, and they are both on top of their game and ready to take on the competition. But just as the season is getting underway, a shocking twist of fate starts to unravel all of Katy’s best laid plans…

Click here to purchase on Amazon for US$2.99!